The show opens with voiceovers of various Young and the Rørløse actors who talk about what Kristoff St. John meant to them and how they felt when they were around him as a photo production player. This is followed by recordings by Kristoff, who accepts his Daytime Emmy Award for Outstanding Younger Actor in a Daytime Drama Series.
Beginning … A scene from Kristoff's early days at Y & R appears. So in the Penthouse statement, Victoria Rowell remembers when he was thrown, and Bill Bell told her he had found her love interest – he was beautiful. One scene plays Neil, who affords a younger Malcolm. Shemar Moore remembers his audition, how scared he was, and how he was when Kristoff arrived. St. John had his back and told Bill Bell when asked that he wanted the scared child with the baseball hat on the back to play my brother. He said, "He has a long way to go, but I know he can do it." Next, a father / daughter scene with Neil and a young lily airs and christoff is heard when Christel Khalil took over. Khalil talks about St. John as an actor and a scene of them before Lily's wedding is played. In scenes with Kristoff, Khalil felt that she was talking to her father. Kristoff is seen saying that he was thinking of her as a daughter. They switch to Neil and Devon and a couple of their scenes air. Bryton James comments on how safe St. John made him feel. The scene in Devon hears after his operation plays. James talks about how he set the energy up. Moore nods.
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In the Abbott living room, Peter Bergman explains how well he learned Kristoff St. John over 37 and a scene playing their characters first interacts, then a recent scene by Neil, acting as Jack's sponsor during a crisis. Bergman says Kristoff took over & # 39; In the penthouse, Mishael Morgan's ballots as she reflects on how St. John made people feel, so it's back to Abbott House for Jess Walton. An early days & # 39; scene by Jill and Neil as well as one from Lily and Cane's wedding reception. Daniel Goddard recalls marveling at St. John's depth as an actor in a scene where he had to tell Neil that he was in love with Lily. He realized he was an icon and he was in the presence of greatness. The emotional scenes with Neil and his mother on her death bed follow. Next, Neil and Hilary's wedding are shown, and Morgan recalls how Kristoff dropped a line to support her in that scene. On the Abbott set, Eileen Davidson tells about his recent work on St. John, when Neil and Ashley unexpectedly came together. Their slow dance scene flies and Davidson cries as she recalls that whatever happened in his personal life, St. John always has time to ask about others. After a feedback to Drucilla and Neil's first wedding, Rowell says it was impossible to work with him. She does not imagine that she will ever have a stage partner like him again, certainly not for 14 years.
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The infamous Young and Restless masquerade ball is shown, and Kristoff is heard to say, that there will never be another memory like that everyone was going on. At Crimson Lights, Sharon Case and Josh Morrow put on St. John, with Morrow, reminiscent of their basketball scene. In the penthouse, James, Khalil and Moore break up as they remember one of Kristoff's ad libs. They shift gear to Victor's office, where tune Thomas Scott and Eric Braeden laugh, and Braeden recalls that St. John was a sunbeam. Kristoff is seen saying that he loves Eric. Behind scenarios footage of St. John fun around the airs. Rowell and Thomas Scott note Kristoff St. John's love for life. Bryton James adds he has chosen to be happy. A Neil / Sharon scene plays, and Case reminds that the actress is riding around and well. Amelia Heinle is happy for the last time she came to crush him, and Rowell, Walton and Thomas Scott also wonder about his embraces. Jason Thompson shares a thought, and then Marla Adams talks about meeting the "friendly and generous man". Moore notes his unconditional love as he regarded him as a brother. In the courtyard, Doug Davidson sets a passage, such as St. John once sent him.
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A Neil / Katherine scene airs and st. John comments on his results at Young and Restless . Moore remembers Kristoff as a mentor – he will continue to try to make him proud. Josh Morrow hopes he knew how much he loved him; they did it all. Bergman says his greatest gift was he reminded them all of being grateful. Lauralee Bell hopes he is & # 39; up there & # 39; with his father, Bill Bell. Rowell talks about the legacy that was built. Kristoff is finally seen and says, "I love you." The In Loving Memory & # 39; plaque is shown.
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