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Pulitzer Prize-winning author Herman Wouk has died. Wouk was famous for his sprawling World War II novels, including The Winds of War and War and Remembrance, and for his portrayal of Jewish Americans in the novel Marjorie Morningstar . He died at his home in Palm Springs, California, at age 103. Many people might remember Wouk for a certain incident involving strawberries in The Caine Mutiny, which became a movie in 1954. After having a breakdown at sea, the tyrannical Captain Queeg accuses his crew of stealing a quart of strawberries and becomes obsessed with finding the culprit. character. In the book, described the captain as "a small man" with "beaches of sandy hair across an almost bald head." In 2004, the author told NPR, "Now Captain Queeg is Humphrey Bogart. There's nothing you can do about it, and I'm perfectly content with [it.] That was one of the great performances, I think, of his career."
The Caine Mutiny was Wouk's most celebrated book, but he had a substantial career both before and after it. He got his start in writing years earlier, a comedy. For five years starting in 1936, Wouk wrote jokes and sketches for the popular radio host Fred Allen. But after Pearl Harbor, the 26-year-old enlisted in the Navy and served in the Pacific. In his off hours, Wouk began to write Aurora Dawn a novel that got mixed reviews. His second book, City Boy did worse. But The Caine Mutiny puts him on the map. It won a Pulitzer Prize, it was a bestseller and it became a play and a movie.
Wouk told NPR, "When I finished The Caine Mutiny, I wrote in my work journal …" Unless I'm mistaken, this is a good book. "
In fact, it was the first in a run of ambitious books that included The Winds of War and War and Remembrance each about a thousand pages long. And wasn't Wouk's only subject. He wrote about the publishing world, a fictional Caribbean island and the founding of Israel. And in Marjorie Morningstar he tapped into his own heritage as a New York-born child of Jewish immigrants to tell the story of a young girl trying to break into show business.
"He really was the Jackie Robinson of Jewish American fiction," says Jonathan Karp, president and publisher of Simon & Schuster and editor of Wouk's last book, Sailor and Fiddler. "He was on the cover of Time magazine for Marjorie Morningstar and he was popularized by lots of other writers – like [Saul] Bellow and [Philip] Roth and [Bernard] Malamud – would deal with in their novels. "
Karp says that one of the reasons Wouk appealed to readers for so many years was the variety in his novels. "He really did not want to write the same novel twice. The writers were admitted to the greats – they were the Victorian novelists, they were writers like [Thomas] Hardy. He wanted to write big novels about complicated lives and the cultures in which they took place. "
Despite his popularity with readers, Wouk didn't always get a good critical response. The New York Times called The Winds of War long and "mildly interesting" with an "indifference to quality" and a "reliance on cliches."
According to Karp, many of the critics missed the point. "Bellow got was because he was accessible." And Wouk did express serious ideas in his fiction. In one section of War and Remembrance he reflects on the Holocaust:
"The accounts I have heard of what the Germans are doing in camps like [Auschwitz] exceed all human experience. … The Thucydides who will tell this story so that the world can picture, believe, and remember not to be born for centuries. Or if he lives now, I am not. "
But Karp says Wouk was the writer to tell these stories. "I think he has high and had large ambitions for reaching a lot of readers – and he entertained millions of them." And with all of his major works still in print, chances are that in the years to come, Herman Wouk will entertain millions more.