In this view, the author Aamina Khan claims that the recent xenophobia exhibited by an Australian television station against K-Pop superstars BTS is a sign of a major problem in the way people are discussing and rejecting non-English speaking musicians. 19659002] "You will like BTS music if you listen without prejudice," said BTS rappers Suga in a message to readers of the American teenage agency J-14 back in March 2018. At that time, the Korean The idol group was already on their steady rise in the United States' regular pop landscape. But Suga's annual request ̵
The Most Recent occurrence of this form for reaction came from Australia's Channel 9 news station, which radiated a segment full of transparent, often xenophobic jokes and thinly blurred criticism of the BTS talent. An example comes from comedian Jimmy Carr, who randomly referred to nuclear war and said, "When I first heard some Korean had exploded in America, I was worried so I suppose it could have been worse. But not much worse." has since become viral and has been criticized by BTS ARMY, but it is only the latest in a series of derogatory comments and jokes that have followed the South Korean pop group since they became more popular.  The Septet – consisting of members RM, Jin, Suga, J-Hope, Jimin, V and Jungkook – debuted in 2013, and in 2019 hundreds of millions of people already respect them. But even if you are not a BTS fan, you can still talk about them in a way that does not return to Western-centric troops and prospects. As BTS continues its current race with global stardom, it is time to take into account the tendency of English speakers to celebrate and acknowledge success only when it comes from other English speakers.
This tendency does not always take the form of overtly xenophobia, rather than surface in ways that are more subtle and harder to call. There is still a complex instinct to refer to hit songs in other languages that cross as "shocking" or "surprising". There is a tendency to deceive something that is still popular, especially when it comes to big fanbases of teenage girls and young adult women, but it feels even more insidious when talking about Latin pop or K-pop or any kind of popular music that is not primarily sung in English.
There is an underlying assumption that it is only natural for English-speaking artists to go global, perform on world tours and top charts in dozens of countries. No one would ever ask why singers such as Shawn Mendes and Justin Bieber, both Canadian, receive such overwhelming success in non-English speaking countries and are taken seriously as artists of the media and the public. These pop stars are charming, their songs are well-written and well-produced, and the gloomy enthusiasm of their international fans proves that pop music is moving beyond language – it also does not seem to be a case that both have embraced Spanish language influences and business partners ( Shawn with Camila Cabello on "Senorita" and Justin with his verse on Luis Fonsi and Daddy Yankees "Despacito").
When BTS (or other K-Pop stars like BLACKPINK, NCT 127 and Twice) These same music industry metrics that succeed in countries where Korean is not so common, it is a "phenomenon" met with little wastage . In the first half of 2019, BTS alone participated in Grammys both as nominees and presenters, dropped an album debuting number 1 on Billboard and scored their second platinum single and performed a world tour selling two nights in London's Wembley Stadium. The seven members were even invited to become voting members of the Recording Academy. When BTS won Top Social Artist back in 2017, with 300 million fans voting out Shawn, Justin, Ariana Grande and Selena Gomez.